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  • The German Cinema Book
    The German Cinema Book

    This comprehensively revised, updated and significantly extended edition introduces German film history from its beginnings to the present day, covering key periods and movements including early and silent cinema, Weimar cinema, Nazi cinema, the New German Cinema, the Berlin School, the cinema of migration, and moving images in the digital era.Contributions by leading international scholars are grouped into sections that focus on genre; stars; authorship; film production, distribution and exhibition; theory and politics, including women’s and queer cinema; and transnational connections.Spotlight articles within each section offer key case studies, including of individual films that illuminate larger histories (Heimat, Downfall, The Lives of Others, The Edge of Heaven and many more); stars from Ossi Oswalda and Hans Albers, to Hanna Schygulla and Nina Hoss; directors including F.W.Murnau, Walter Ruttmann, Wim Wenders and Helke Sander; and film theorists including Siegfried Kracauer and Béla Balázs.The volume provides a methodological template for the study of a national cinema in a transnational horizon.

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  • The Queer German Cinema
    The Queer German Cinema

    Since the Weimar era, German cinema has played a leading role in the innovation of gay and lesbian cinema, with the tantalizing sexual illegibility and gender instability of German films of the 1920s anticipating the queer sensibilities of the 1990s. From such cross-dressing Weimar comedies as Viktor und Victoria to the transgender fantasies of Ulrike Ottinger, Monika Treut, and Hans Scheirl, this filmic tradition explores the unconventional erotic, its directors inventing a visual language that goes beyond the trivialization and sensationalism of mainstream representations of gays and lesbians.This cinema crosses the boundaries between such classifications as male and female, gay and bisexual, normal and pathological, insisting that such transgressions cannot be entirely tamed, regulated, or closeted.Previous scholarship, reading this national cinema as sociopolitical commentary, has tended to ignore what falls outside a realist, hetero-normative paradigm.In this book, the author aims to rectify this neglect by rewriting German cinematic history queerly. She reexamines the Nazi movie star Zarah Leander via her gay fandom, showing how this actress haunts the drag performance of femininity in the films of Rainer Werner Fassbinder.She argues not only for the persuasiveness of the gay underground in the New German Cinema but also for cinema's pivotal role in German gay liberation.Other topics include the queering of nationality in the films of Monika Treut and Rosa von Praunheim, the fetishistic medium of experimental filmmaking in the works of Michael Brynntrup and Matthias Müller, and the androgynous appeal of "dyke noir animation." In conclusion, The Queer German Cinema juxtaposes the voices of several German filmmakers as they reflect on their art in terms of a counter-politics.

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  • Cities in Motion: German Cities
    Cities in Motion: German Cities

    Cities in Motion: German Cities is a new addition to the city-based mass transportation PC-simulation game Cities in Motion.German Cities brings you back to ...

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  • Postwall German Cinema : History, Film History and Cinephilia
    Postwall German Cinema : History, Film History and Cinephilia

    Since the fall of the Berlin Wall, there has been a proliferation of German historical films.These productions have earned prestigious awards and succeeded at box offices both at home and abroad, where they count among the most popular German films of all time.Recently, however, the country’s cinematic take on history has seen a significant new development: the radical style, content, and politics of the New German Cinema.With in-depth analyses of the major trends and films, this book represents a comprehensive assessment of the historical film in today’s Germany.Challenging previous paradigms, it takes account of a postwall cinema that complexly engages with various historiographical forms and, above all, with film history itself.

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  • In which language, German or English, does the IMAX cinema in Oppenheim screen films in 70mm?

    The IMAX cinema in Oppenheim screens films in 70mm in German. This means that the films are shown in their original language with German subtitles. Visitors can enjoy the immersive experience of watching high-quality 70mm films in the German language at the IMAX cinema in Oppenheim.

  • 'New German Films'

    "New German Films" refers to contemporary films produced in Germany that showcase the country's diverse cinematic landscape. These films often explore a wide range of themes and genres, from historical dramas to thought-provoking documentaries. Many of these films have gained international recognition for their unique storytelling and innovative filmmaking techniques, contributing to the vibrant and dynamic German film industry. Overall, "New German Films" offer audiences a fresh perspective on German culture and society through the lens of talented filmmakers.

  • What are German films and American films?

    German films are movies produced in Germany, often reflecting German culture, history, and language. They may also explore universal themes and be made in collaboration with international partners. American films, on the other hand, are movies produced in the United States, often reflecting American culture, history, and language. They are known for their high production values, wide distribution, and influence on global popular culture. Both German and American films contribute to the diversity and richness of the global film industry.

  • What are German drug films?

    German drug films are a subgenre of German cinema that focus on the portrayal of drug use and its impact on individuals and society. These films often explore themes of addiction, crime, and the consequences of drug abuse. They may also delve into the psychological and emotional effects of drug use on the characters. German drug films can offer a critical and thought-provoking perspective on the issue of drug addiction and its broader societal implications.

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  • Elaine Paige Cinema 1984 German vinyl LP 240511-1
    Elaine Paige Cinema 1984 German vinyl LP 240511-1

    ELAINE PAIGE Cinema (1984 German 12-track vinyl LP including The Way We Were The Windmills Of Your Mind and Alfie complete with illustrated lyric inner picture sleeve. The picture sleeve shows just a little light shelfwear and the vinyl isExcellent with little sign of play) Side One:1. The Windmills Of Your Mind2. Out Here On My Own3. The Prisoner (Love Theme From The Eyes Of Laura Mars)4. Sometimes5. Theme From Mahogany (Do You Know Where Youre Going To?)6. Up Where We BelongSide Two:7. Unchained Melody

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  • German Expressionist Cinema – The World of Light and Shadow
    German Expressionist Cinema – The World of Light and Shadow


    Price: 18.99 £ | Shipping*: 3.99 £
  • Cities in Motion: German Cities Steam Key
    Cities in Motion: German Cities Steam Key

    This product is a brand new and unused Cities in Motion: German Cities Steam Key

    Price: 0.92 € | Shipping*: 0.00 €
  • Danish and German Silent Cinema : Towards a Common Film Culture
    Danish and German Silent Cinema : Towards a Common Film Culture

    Analyses the cultural exchange of two important and highly entangled European film nations of the silent eraPresents new insights on famous films and stars like Asta Nielsen, Olaf F nss, and Pat & Patachon (also known as Long & Short)Employs diverse perspectives: production and distribution history, international cultural relations, celebrity studies, aesthetic analysisBased on extensive archival research in Germany and the Scandinavian countriesDiscusses the concept of national cinema and film historiography from an entangled film history perspectiveThe book examines how Danish and German film interacted with one another from 1910 through World War I till the advent of sound around 1930.The film businesses of the two countries were closely connected, and many film professionals crossed back and forth across national borders. The studies in this book include production and distribution history, censorship, celebrity studies, and aesthetic analysis.They contribute to European film and cultural history through extensive empirical investigation of films, persons and companies.The underlying perspective is that of entangled film history, an approach that stresses cross-border interchanges and mutual influences.Written by an international team of scholars, the book marks the conclusion of a four-year collective research project running alongside the stumfilm.dk initiative to digitise the entire Danish silent film heritage.

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  • Which German films are good?

    Some popular German films that are highly regarded include "Run Lola Run" (Lola rennt), "The Lives of Others" (Das Leben der Anderen), and "Good Bye Lenin!". These films have received critical acclaim for their storytelling, direction, and performances. Additionally, they offer unique perspectives on German history, culture, and society.

  • What are German Karaman films?

    German Karaman films are a genre of Turkish-German cinema that emerged in the 1970s and 1980s. These films are typically produced in Germany and feature stories about the Turkish immigrant experience in the country. They often explore themes of identity, cultural clashes, and the challenges faced by Turkish immigrants in Germany. German Karaman films have played a significant role in representing the Turkish community in Germany and have contributed to the diversity of German cinema.

  • Why is Standard German always spoken in German films?

    Standard German is always spoken in German films because it is the official language of Germany and is understood by the majority of the population. Using Standard German ensures that the dialogue is accessible to all German-speaking audiences, regardless of their regional dialect. Additionally, it helps to maintain a consistent and professional quality in the film's dialogue, making it easier for international audiences to understand and for dubbing into other languages. Overall, using Standard German in films helps to reach the widest possible audience and maintain linguistic clarity.

  • Why is High German always spoken in German films?

    High German is the standard form of the German language and is widely understood throughout Germany. It is used in German films to ensure that the dialogue is clear and easily comprehensible to all German-speaking audiences. Additionally, High German is considered the most formal and prestigious form of the language, making it a common choice for film dialogue to convey a sense of sophistication and professionalism.

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